I don’t know if it’s the impending spring, or the crazy up-and-down-by-15C-every-3-days temperatures, or just a little bit of March Madness, but I’m starting to feel a bit of Start-itis coming on. I know it’s not just me – knitters in the Twitter-verse have been saying the same thing all week, which makes me feel a little bit better about rounding up big piles of pink, red, green, and orange yarn earmarked for various projects which, apparently, are all about to be “next.” Of course, they can’t all be next, but the knitter in my head has always had a rich fantasy life, and she never fails to provide the ambition.
I’ve been resisting (so far – i make no promises about the coming weekend) casting on All The Things in favour of making progress on the things already on the needles. The knitter in my head had sort of hoped that I would be done with my Velvet Morning cardigan already by now, but then I reminded her that it’s only been a week since I started it, and that perhaps having almost the entire body completed in that time is really nothing to sneeze at.
I mentioned in my post about this last weekend that I’m modifying this cardigan to include a steek, so that I may work it in the round. A few of you had some questions about that and how it’s going to work. If you’re just tuning in here and haven’t heard me wax on about steeks before, or if you’ve never encountered this technique before or even heard the word ‘steek’ until you happened by my post the other day, I’m very happy to tell you more about it. As I work through this project I’ll be sure to keep you posted on what I’m doing, but here’s the basic gist of it.
In modifying Velvet Morning for work in the round, all I did was cast on as-written for the size that I wanted, in the appropriate needle size to get gauge, and add enough stitches to create a steek panel where the cardigan gap will be located at the front of the body. The rest of it will proceed as normal, with the exception that the body will be done in the round except for flat or ‘back-and-forth’.
The steek is a relatively old technique (exactly how hold, I’m not sure, but…a long while, let’s say. Norwegian knitters and Shetland knitters have been all over this for a long time), and all it is is a panel of stitches located in a spot where you want to have a gap, but avoid putting the gap in to begin with because you want to be able to work in the round. The steek stitches are not at all involved with the pattern stitches for the actual garment, except in the sense that you need to know where they are.
So, essentially, this is a technique that allows you to only work “Right Side” rows by working continuously in the round, without turning back to do the “Wrong Side.” The times when you want to use this technique are the times when working in the round and later cutting a steek is a preferable option to working “Wrong Side” rows. The most obvious and frequent application of this is for stranded colour-work, and the place where you’re most likely to encounter this technique is for things like Fair Isle sweaters (where you want gaps for armholes, cardigan fronts, etc), colour-work blankets (where you want to make a square but knit a tube first, then cut it up one side), or intricately cabled cardigans (where the cable twists occur every round or 2/3 rounds, rather than neatly alternating between RS and WS rows).
There are many different ways to work with steeks, and to reinforce them (which is something I get into when I teach this ), but it always involves cutting. It’s a bit scary the first time you do it, but generally everyone still lives to tell the tale afterward.
I’ll be sure to keep you posted as progress occurs, dear knitters – I wouldn’t want you to miss out on the final cutting and sewing up! Tomorrow I’m off to Collingwood to spend a day with knitters at Grey Heron Yarns’ Knit Fest, and teach some classes (no steeking, but there will be colour-work!). I’m sure it’ll be a great time.
Happy knitting this weekend!